Crime Novels: American Noir of the 1930s and 40s: The Postman Always Rings Twice / They Shoot Horses, Don't They? / Thieves Like Us / The Big Clock / ... a Dead Man (Library of America) (Vol 1) Review

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Crime Novels: American Noir of the 1930s and 40s: The Postman Always Rings Twice / They Shoot Horses, Don't They / Thieves Like Us / The Big Clock / ... a Dead Man (Library of America) (Vol 1) ReviewThe Library of America is a first-class organization. The LOA is consistently reprinting volumes of literary achievement by the most notable authors in American history. They have reprinted everything from political speeches to poetry to historical works. This volume is the first in a two volume set dedicated to American noir stories. The stories in this book were written in the 1930's and 1940's in what seems to be the golden age of the genre.
The first story is from James Cain, and it's a whiz-bang of a tale. I had heard of "The Postman Always Rings Twice" before, mainly in reference to the two film versions of the story. This is one dark read. Adultery and murder never seem to mix, and it sure doesn't here, either. Told in first person narration, a drifter gets himself mixed up with a washed up beauty queen who is tired of her Greek husband. The result is classic noir: a conspiracy to murder the poor schmuck and run off together. As usual, the murder brings about tragic consequences. This story has more twists and turns than you can imagine. The ending is especially atmospheric. This is certainly one of the best stories in the book. I always like to see a story where the blackmailer gets a good beating.
Horace McCoy's "They Shoot Horses, Don't They?" is next in line. This is another great tale that was made into a film in the 1960's starring Hanoi Jane Fonda and Gig Young. The movie is soul shattering, with depictions of dehumanization in the neighborhood of "Schindler's List." The story is not quite as good, but it still packs a heck of a punch. The story is set in Depression-era America and depicts the horrors of a dance marathon. These marathons were apparently quite popular during the 1930's, until they were ultimately outlawed. Contestants were required to dance for hundreds of hours with only ten minute breaks every two hours. The couple that lasted the longest won a thousand or so dollars. The public would come and pay admission to watch this sorry spectacle. It's like poking sticks at animals in a cage. This story is loaded with dark depression and sexual innuendo. The conclusion is suitably depressing to merit a noir award.
"Thieves Like Us" was pretty substandard when compared to the other stories in this book. This one really didn't seem to have those noir elements that I like so much. Actually, it's more of a Bonnie and Clyde type story. A penitentiary break leads to a crime spree across Texas. Banks are robbed and cops are killed while the gang lives on the lam. A relationship between Bowie, the main character, and a girl named Keechie really doesn't add much interest to the story. There is some good dialogue and a bit of desolate atmosphere, but not enough to lift this to the level of noir. I don't know why this story is included here. Try and guess how the story ends (the clue is "Bonnie and Clyde"). I hope that Edward Anderson's other stories are better.
Kenneth Fearing's "The Big Clock" is excellent, and brings the level of the book back up to where it should be. Set in a magazine publishing house, this tale is sleek and smart. The story is told in first person narration, but Fearing shifts the narration to various characters in the story. These constantly changing viewpoints turn the story into a roller coaster ride of epic proportions. An editor at the company makes the mistake of sleeping with the boss's woman. When this lady turns up dead at the hands of same boss, all heck breaks loose. This story is riveting and has a great ending that is all suspense. A must read.
William Lindsay Gresham wrote "Nightmare Alley" after some discussions he had with some carnival workers. This story is the longest one in the book and is a decent addition to the volume. Full of unpleasant images of murder, swindle, cynicism and downright perversion, you won't be disappointed when this one comes to an end. A scheming magician decides to take his con to the big time by posing as a Spiritualist minister, and as usual, the end result is tragedy all around. This story is downright depressing, and if you don't feel sorry for Gyp, you have got a problem. I didn't really care too much for the (...) addition of the black Communist towards the end of the book. Gresham had a flirtation with the Redski movement, so this apparent insertion makes some sense in that context. It goes nowhere in the story, however. There are some other holes in the plot but overall this is an entertaining story.
The final tale comes from the sumptuous pen of Cornell Woolrich. "I Married a Dead Man" becomes instantly familiar within a few pages, mostly due to the numerous films that have copped the plot. The writing here is far superior to any of the other stories in the book. I'd say it's far superior to most writing in general. The metaphors are extraordinary. Look for the description of Bill lighting his cigarette in the doorway. Wow! The story centers on a case of mistaken identity with a strong dose of blackmail thrown in for good measure. Of course, there's also a murder. This story is outstanding.
Overall, if you are just starting to read noir, start with these two volumes. It is good to see some of the best noir has to offer, and you will find some of it in these pages. The book clocks in at 990 pages, but it reads really fast. There is also a nice summary concerning the careers of each author at the back of the book. Recommended.Crime Novels: American Noir of the 1930s and 40s: The Postman Always Rings Twice / They Shoot Horses, Don't They / Thieves Like Us / The Big Clock / ... a Dead Man (Library of America) (Vol 1) Overview

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