Wagner's The Ring of the Nibelung (Opera Classics Library Series) Review

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Wagner's The Ring of the Nibelung (Opera Classics Library Series) ReviewI was hesitant to include Wagner in my German lit course on the reception of the Nibelungen, but this book provided the answer. Its prose is so well written that it must truly be considered an artistic achievement in translating across mediums. Wagner is no easy read in its original form, and direct translations suffer, some graphic novels do an excellent job, but here the author combines the breadth of the Ring with an excellent efficient prose - truly magnificent!Wagner's The Ring of the Nibelung (Opera Classics Library Series) Overview

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Wagner's Ring: A Listener's Companion and Concordance Review

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Wagner's Ring: A Listener's Companion and Concordance ReviewThis book makes some good points, but the author is quite opinionated (for example, his view is the "correct" view of what a good recording is) so that his advice is misleading. He also does an obsessional counting of words in the TRANSLATION of the Ring, which is not very useful since the original is in German and different translators render Wagner's words differently. I read the book through once and never returned to it, which says something about its usefulness. In contrast, for example, the books by Bryan Magee, I return to again and again for fresh insights into the Ring. Overall, this book is a disappointment and probably not worth buying. It will just take up space on your bookshelf.Wagner's Ring: A Listener's Companion and Concordance Overview

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Wagner's Ring of the Nibelung Review

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Wagner's Ring of the Nibelung ReviewThis book would be an excellent addition to anyone interesting in Wagner's Ring cycle for a number of reasons.
First, the translation, which takes up three quarters of the book, is well done, with German and English directly compared on a line by line basis, complete with alternate or discarded or rejected versions of the libretto included in an appendix. The translation itself seems outstanding; some of Wagner's phrasing is difficult or impossible to directly translate into English, but even in the most convoluted or confusing cases the result is clear and compelling.
Second, there is a thematic guide to many of the most important leitmotifs Wagner developed (67 in this case), and in the translation of the libretto the authors have noted where these occur on a line by line, or sequential basis. This is of tremendous help as a reference for further study when listening and relistening to the music.
Third, while there is only little commentary on the operas and on Wagner's compositional journey through the Ring, there are a few photos from past performances, comparing vastly different sets for the same scenes, which are interesting. There could have been quite a bit more of this.
Finally, the glossary of character names could be useful to the student.
Overall, this is an excellent resource and reference to use while listening to the Ring, and for analyzing Wagner's libretto itself.Wagner's Ring of the Nibelung Overview

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