Showing posts with label hobbit. Show all posts
Showing posts with label hobbit. Show all posts

Hobbits, Elves and Wizards: The Wonders and Worlds of J.R.R. Tolkien's "Lord of the Rings" Review

Hobbits, Elves and Wizards: The Wonders and Worlds of J.R.R. Tolkien's Lord of the Rings
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Hobbits, Elves and Wizards: The Wonders and Worlds of J.R.R. Tolkien's "Lord of the Rings" ReviewAs a scholar who has studied and taught J. R. R. Tolkien's "Lord of the Rings" trilogy for twenty-five years, there are very probably very few better qualified to write an introductory book on the subject than Michael Stanton. He's obviously a great fan on the book (that is, he does not seem to be simply trying to cash in on the recent popularity that the movies have caused) and writes in a simple, chatty style that is easy for most non-academics to understand. For those who are more experienced in reading essays and critiques, "Hobbits, Wizards and Elves" may come across as either too simplistic or repetitive - and I admit that there was very little here that I hadn't already come across in more comprehensive essays on this subject.
But Stanton is well aware of this, and has no delusions about what it is that he's writing - in fact on many occasions he encourages other authors that go deeper into the text, and often apologises for his `bare-bones' treatment of the subject. To like the author's own voice makes up a great part of one's enjoyment of these exploratory books, and there's nothing pretentious or overtly opinionated in Stanton's techniques.
In saying that however, this is a book for beginners to the world of Tolkien - long time studiers or fanatical fans will know all this stuff already - and probably through their own readings of the book. Yet for those starting out, or those that need a helping hand in grasping the finer details of Tolkien's great work, this is a readable and clear-cut `helpmeet' to "the Lord of the Rings".
In Part One of the book Stanton gives us a (very) brief biographical account of Tolkien's life and his inspiration for the book, and the publishing history, followed by a chapter devoted to the geography, history and themes that make up Middle-Earth. The bulk of the book is taken up with accounts of the six books that make up the complete "Fellowship of the Ring", "The Two Towers" and "The Return of the King." This is perhaps the most interesting part (at least for me), as he explores the meanings and finer details of the chapters and the events and characters within them.
Part Two divides up the `species' of Middle Earth and explores their cultures closer: Elves, Dwarves, Ents, Humankind (including Hobbits) and the forces of evil are all discussed separately, and then finally Tolkien's use of language (undoubtedly the basis of the entire saga) and the use of dreams and spirituality throughout the story.
Lastly comes a chapter on the Peter Jackson version of "the Fellowship of the Ring" that is enthusiastically advertised by the publishers on the front cover: "includes a new essay on the first part of "the Lord of the Rings" film trilogy!" As it turns out, this is the most unnecessary parts of the book, and I couldn't help but feel that Stanton was either coerced into doing this for the benefit of sales, or was simply a little `pet-project' of his that he wanted to sneak in. As it is, it is not an `essay' at all, but simply a list of opinions concerning the movie that nearly verges into being a movie review. As you may have guessed, the absence of Tom Bombadil and the role of Arwen are mentioned, as are a few other little nitpicks, but at least Stanton appreciates Sean Bean's role as Boromir - a performance that I believe is often overlooked by viewers.
He's not afraid to criticise certain portions of the book (he points out that only three of five wizards sent to Middle Earth are identified, and that Tolkien puts the title of `oldest living thing in Middle Earth' on two separate characters: Tom Bombadil and Treebeard), and to go against popular fan speculation (in his opinion the `unsung hero' of the story is not Samwise Gamgee, but Prince Imrahil) but on the whole you can tell that he simply adores Tolkien's work and has read it multiple times.
He also points out some interesting titbits that are obvious in hindsight, but which were overlooked by me in my own reading of "Lord of the Rings" - such as the fact that Pippin is the only character in the book to directly converse with Sauron.
It is not a thick book, nor a very deep one, but it is interesting nonetheless and would be valuable to those just beginning to explore Tolkien's world. I've been exploring for a few years now, and I still found some interesting theories and explanations - but then I brought this book at the University's book store for only two dollars, so I'm hardly going to take a harsh view of something brought so cheaply. Any one well-versed in Tolkien's universe has more comprehensive works to explore, but beginners are most welcome here.Hobbits, Elves and Wizards: The Wonders and Worlds of J.R.R. Tolkien's "Lord of the Rings" Overview

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The Film Book of J.R.R. Tolkien's The Lord Of The Rings Review

The Film Book of J.R.R. Tolkien's The Lord Of The Rings
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The Film Book of J.R.R. Tolkien's The Lord Of The Rings ReviewWith boys ages 7 & 5, I've been looking for a "storybook" version of The Lord of the Rings. This is the ONLY product out there, short of the Hear the Tape, See the Pictures, Read the Book Buena Vista version of the Rankin-Bass cartoons. I've purchased copies for my sons and nephew for Christmas, and I really like the effort (as much as I liked the cartoon movie). My only complaint is the same one I have for the film. It needs a second half. Note: even more than the movie, this book is geared for kids.The Film Book of J.R.R. Tolkien's The Lord Of The Rings Overview

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Untangling Tolkien: A Chronology and Commentary for The Lord of the Rings Review

Untangling Tolkien: A Chronology and Commentary for The Lord of the Rings
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Untangling Tolkien: A Chronology and Commentary for The Lord of the Rings ReviewAn amazing accomplishment by a dedicated Tolkien fan.
That is how I'd sum up the book Untanging Tolkien. Michael Perry has first unraveled all Tolkien's "dates" -- which can be extrapolated from phases of the moon -- and then knit them together again in a cohesive outline, presented in much greater detail than Tolkien's own timeline (found buried in Appendix A of LOTR). By incorporating information from other Tolkien writings, the author of Untangling Tolkien collates additional facts about all the characters and the circumstances surrounding the War of the Ring, folding them all into this detailed chronology. He includes material that sheds light on possible parallels between Tolkien's work and events that were contemporary, and he provides original commentary that suggests some additional motivations for Tolkien's characters. Sidebars offer references to every source for the information presented and for each conclusion the author has drawn.
I found the format, with quick-reference bulleted lists and clearly delineated sections and subheadings, well-organized and easy to use.
NOTE: I read the third printing that was published in May 2004. Apparently the author has corrected many of the errors that David Bratman objected to (below). You won't find a better overview or a more throrough treatment of time and dates in LOTR than Perry provides in this book.Untangling Tolkien: A Chronology and Commentary for The Lord of the Rings Overview

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The Hobbit: or There and Back Again Review

The Hobbit: or There and Back Again
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The Hobbit: or There and Back Again Review[This is a review of the 70th Anniversary Edition, not so much of THE HOBBIT itself. I've reviewed the book proper elsewhere, and would rather focus on the actual edition itself.]
THE HOBBIT is one of those few books that I have felt justified to buy multiple copies over the years. It is a book I have read and cherished, and a book I dearly love. THE HOBBIT is a novel that deserves to be bought multiple times over, and I always enjoy looking at new editions of this classic work. So imagine my excitement when I found out they would be publishing a 70th anniversary edition of one of my most cherished novels!
This has been a big year for Tolkien fans. Christopher Tolkien published THE CHILDREN OF HURIN, a newly completed version of Turin's legend, in April. We've gotten (at long last), THE HISTORY OF THE HOBBIT, expertly handled by brilliant Tolkien scholar John D. Ratcliffe and published in two separate volumes. And of course, we have the 70th anniversary of Tolkien's first primary work, THE HOBBIT, which this edition is published in celebration of that momentous occasion. And does it live up as a major new edition of this fantasy classic?
That's a pretty easy answer. The answer is NO.
First off, here are the positives. The 70th anniversary edition is pretty much how the first edition of THE HOBBIT was actually published back in 1937 with some notable improvements, and conforming to Tolkien's pretty exacting specifications, including how the dust jacket should appear, as well as the art and maps that accompany the text.
These are the notable differences between the first edition and this edition. Due to cost, Tolkien was not able from a production standpoint to have the book appear exactly as he envisioned. The 1937 publication cut some of his artwork, the map was not how he so desired, and the dust jacket, due to printing cost, was limited to three primary colours (green, black, and white). Originally, Tolkien wanted the sun on the front cover and the dragon on the back cover to be totally in red, but this was not feasible.
Obviously Tolkien's work is successful enough that these production costs are no longer an issue, and so this is a relatively accurate facsimile of what Tolkien would have wanted to publish in 1937 had money not been an object, as it too often is in the real world. For that, this edition has some worth.
Now, there are some negatives. And these are big negatives.
First off, paper quality and binding. It's bad.
Then there's the actual art work. The colour artwork is quite nicely implemented into the main text, and overall I don't have a problem with the colour artwork from a production standpoint. The paintings are bright and colourful, and remain true to higher quality prints of Tolkien's phenomenal painting. But unfortunately the same cannot be said of the black and white illustrations. Like a reviewer said before me, it appears Tolkien's drawings were reproduced on a cheap scanner. Tolkien's artwork is highly valuable, but unfortunately the drawings here are rather badly reproduced in this edition.
Then there's the advertisement for LOTR at the end that's rather annoying. They reproduce the first chapter of FELLOWSHIP and place it at the end of the novel, acting like a cheap plug for Tolkien's masterpiece. I don't have any problem with plugging LOTR, but to me this inclusion of the first chapter just cheapens the whole book, especially when it's supposed to be a major edition of a major work. We all know about LOTR. Do we really need the first chapter here? Rather tacky, to say the least.
Then there's the problem of Christopher Tolkien's forward. This is what I was most looking forward too, actually. Having read E. A. Solinas's review, I was under the impression this was a new forward prepared specifically by Christopher for the 70th anniversary of his father's work. Not the case. It's simply a reprint of the forward he wrote for the 50th anniversary of THE HOBBIT, twenty years previously.
As far as textual authenticity, I must be honest in the fact that I've only browsed it at a Borders bookstore, but I'd be very surprised if they did not use the text from The Annotated Hobbit, as it is the most definitive and accurate text yet established for the book. Still, I can't verify that that is the case.
Overall, this is a fair edition of THE HOBBIT. It could have been a lot more. What sets this apart from the other copies is this is how Tolkien truly envisioned how he wanted the book to appear, and for that fact alone, this is a valuable edition to the Tolkien collector. Unfortunately the poor production quality of the black and while illustrations, the rather tacky inclusion of LOTR's first chapter, and the disappointment of the publishers' just reprinting a twenty year old introduction to the 50th anniversary publication rather brings the whole affair down. I think I'll pass on this one.
For those looking for the best edition of Tolkien's book, buy THE ANNOTATED HOBBIT, first published in 1988 and republished in a new format in 2003. The second version of THE ANNOTATED HOBBIT is the definitive edition of this phenomenal work as far as I'm concerned.The Hobbit: or There and Back Again Overview

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The Return Of The King - Being The Third Part Of The Lord Of The Rings (The Lord of the Rings, 3) Review

The Return Of The King - Being The Third Part Of The Lord Of The Rings (The Lord of the Rings, 3)
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The Return Of The King - Being The Third Part Of The Lord Of The Rings (The Lord of the Rings, 3) ReviewProbably considered my favorite in Tolkien's writings, Return of the King is great. Many suspenseful events end in utter triumph and inspire the reader the whole time. I think the biblical parallels can't be missed either. It does a great job tying up some details from The Hobbit, Fellowship of the Ring, and Two Towers. Wonderful conclusion to a classic work of fiction that makes the reader look for the reality to match it. I think the fingers can definitely point to the truths in the Bible to help you find to truth in this fantasy created by J R R TolkienThe Return Of The King - Being The Third Part Of The Lord Of The Rings (The Lord of the Rings, 3) Overview

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The Magic Ring (Valancourt Classics) Review

The Magic Ring (Valancourt Classics)
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The Magic Ring (Valancourt Classics) ReviewI read Amazon reviews by thoughtful readers (who care enough to comment critically without compensation) because I want to know if a book is worth buying or not. "The Magic Ring" is a book worth buying for three reasons.
1. It is a story so well conceived and written that you will marvel that it has been out-of-print so long, you will return to it again and again, and you will share it with friends, if they share your taste for edifying, challenging fiction, fantasy or no. That has been my experience, at least. "A seamless blend of medieval quest, epic fantasy, and Gothic nightmare" indeed. To grasp the stream of romantic genre-rolling from which MacDonald, Yeats, Lewis, Tolkien, and Rowling draw so heavily, reading de la Motte Fouque is essential - and delightful. I have friends, Harry Potter fanatics, who won't read Jane Austen because her manners-and-morals fiction sets their teeth on edge. No matter that Harry Potter is largely Emma-with-wands; they cannot enjoy Austen. Reading The Magic Ring, however, is anything but an ascetic trial only for zealot Tolkienites schooled in Elvish, survivors of Icelandic saga readings. This is a great read that has the bonus of opening windows into other beloved books.
2. My second reason for recommending the book to you for purchase may mark me as a sad, not to say pathetic, bibliophile, but I think it is an important note. This new edition of The Magic Ring has been published with loving care. Not only is the book physically beautiful, from the challenging cover painting to the typset that is suggestive of the Gothic without causing anguish at antiquarian fonts, to the way the book feels in your hand. I will be buying other Valancourt Books on the strength of the care they invested in making The Magic Ring a pleasure to read and own. I don't loan books as a rule, but friends whom I have urged to buy it, after seeing it, almost always do. This is that rarest of things these days, a book whose appearance points to the value and delights within.
3. Dr. Amy Sturgis' appendices, especially her very helpful pages about Jakob Boehme, the Gothic Tradition, and German Romanticism, are worth the cost of the book in themselves. Most books that come with "Inspired Your Favorite Author!" blurbs on the cover either mechanically draw connections in overly long introductions or leave you to your reflections and research to make the connections with the inspired author yourself. Dr. Sturgis avoids both these pitfalls by succinctly summarizing the influences on and from The Magic Ring - and adds excellent aditional reading suggestions. I hope someday Dr. Sturgis will expand her appendices into a full-text introduction to Fantasy Literature and its 19th Century Gothic/Romantic roots. She seems uniquely qualified for this work.
Valancourt Books has done the reading public a great service in bringing this Gothic Classic back into print as they have. Their care with the text, the beauty of the book, and the quality of the editing and commentary by Dr. Sturgis have made The Magic Ring come to life again. I encourage you to buy it today.The Magic Ring (Valancourt Classics) Overview

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The Ring of Words: Tolkien and the Oxford English Dictionary Review

The Ring of Words: Tolkien and the Oxford English Dictionary
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The Ring of Words: Tolkien and the Oxford English Dictionary ReviewThis short (229 pages plus bibliography and index) but highly important work will become an absolute necessity for all Tolkien admirers.
There are three sections. The first deals with Tolkien's brief but productive period working on the Oxford English Dictionary. The authors, who are all Editors of the OED, were able to examine the actual scraps of paper on which Tolkien wrote drafts for definitions and etymologies of words (primarily beginning with W) to be included in the OED. To an outsider such work could seem tedious in the extreme, but since the authors are as fascinated by the origins and developments of words as Tolkien was himself, they help us see how intriguing such work can be. (Indeed, Tolkien was so enthusiastic that many of his definitions had to be severely edited by the then Editor, who thus gained time and space at the expense of some great scholarship.)
The second section, on Tolkien as wordwright, I found particularly interesting. Having been an enthusiastic student of Middle earth since the age of 12 in 1969, I am very familiar with Tolkien's enormous vocabulary and love of words, and this section brings new light to Tolkien's deep knowledge of Anglo-Saxon and other ancient tongues, and to his readings of such authors as William Morris and H.R. Haggard, among many others. Here the reader recognizes anew that Tolkien's chosen career of philology was not just his job, but also his passion.
The third section is devoted to word studies and gives short histories of some of the terms, like Middle earth, Hobbit, mathom, etc, which Tolkien used throughout his writings. These are sometimes archaic terms like nuncheon and sometimes words developed by Tolkien himself such as eucatastrophe and legendarium, which have now entered the English language.
This is a scholarly but highly accessible work which will be appreciated by Tolkien scholars and anyone else who loves the English language.The Ring of Words: Tolkien and the Oxford English Dictionary Overview

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The Lord of the Rings: Part 3, The Return of the King (NPR Playhouse Dramatization) Review

The Lord of the Rings: Part 3, The Return of the King (NPR Playhouse Dramatization)
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The Lord of the Rings: Part 3, The Return of the King (NPR Playhouse Dramatization) Reviewgreat price, fast shipping. love that this item is not just a reading of the book, but a whole production. brings the story to life. my 11 year old son recently discovered LOTR and loves to listen to the discs at night before bed. i haven't listened to much of it, so I can't comment on whether or not the discs contain the full complete story or if its abridged in parts. the purpose of the purchase was entertainment for my son, not to take the place of the written story.The Lord of the Rings: Part 3, The Return of the King (NPR Playhouse Dramatization) Overview

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