Showing posts with label magic carpet ride. Show all posts
Showing posts with label magic carpet ride. Show all posts

The " Lord of the Rings " : a Reader's Companion Review

The  Lord of the Rings  : a Reader's Companion
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The " Lord of the Rings " : a Reader's Companion ReviewThe Lord of the Rings - A Readers Companion - 2008 revised - paperback
I remember when I was at college, struggling to read Ulysses by James Joyce. I had a book of annotations to my side and was struggling to understand chapter 3 of Stephen Dedalus's adventures on the Sandymount Strand in Eire
This book is rather like that book, but I think its more of a joy to read. Although this book is not for a person who has never read the Story (it will probably give away the ending for a start!) I think its pretty worthwhile for a person whos read the "trilogy" (of SIX Books! in three Volumes!) more than once
If you've read Lord I think you'll really enjoy this. Its engrossing, and (to be honest) too much in depth (I don't really care to know what words mean in Elvish!)
So this book works well but you don't have to read EVERY bit, like the Ulysses Gifford guide. Tolkien was in love with words being a philogist, names of places and people had to mean something. His pose in the work was as a translator of the work into Westron, the Common Tongue, so you get (for example) Samwises real name in the original text as Banizir
So I can think the attention to detail can get overwhelming (what Samwises name is in Sindarin, etc).
So I do think its a great book, but it can get overwhelming. Tolkien created a history for the work, and as great a book as this is (its the best book I've read on Tolkien, up there with Lord of the Rings actually) it might be best if you just take it in small doses. Listen to the Lord of the Rings on audio cassette and read along with this book for to start.
Again, it helps if you're intimate with the Lord of the Rings. Its not unusual for people to read Lord every year (like me). If you have read it a few times, I think you will really enjoy this book, as its an intelligent, in depth study of the work, page by page
I mean, its 900 pages of annotations, and it has a nice "dip in" quality, and it is an absorbing read
Just make sure you've read the Lord of the Rings a few times first though, otherwise you might end up throwing the Companion aside in frustration, just because of the minute attention to detail.
See, Tolkien worked out phases of the moon, dates, and so forth; after Books 1 & 2 (which comprise The Fellowship of the Ring) it becomes convoluted, with Book 3 (Two Towers is comprised of Books 3 & 4 - 4 dealing solely with Frodo and Sam's mission to Mordor) starting off with Aragorn speeding up the hill of Amon Hen (on February 26) and ending with Pippin riding with Gandalf to Minas Tirith the night of March 5/6 - with different characters intercepted at different times throughout that particular Book. By contrast, Book 4 (picking up Frodo and Sam) starts in median res at February 28 and ends with the capture of Frodo by old Sauron on late March 13th, a full week later than the end of Book 3. So in few, the time periods to each book are not always concurrent - that is, starting at the same time and ending at the same time
So to keep track of moon phases, dates, meanings of words in one huge tome is quite something. Clearly the Lord of the Rings is (in Tolkien's phrase)a matter that "got out of hand" rather quickly. Original drafts of early chapters of the first book had the Black Rider hunting for the Shire hobbits originally being Gandalf, comically surprising them while leaving Hobbiton - in the comic vein of the earlier book The Hobbit, to which Lord was a sequel; this incident became much darker with Gandalf turning to a Black Rider STALKING the hobbits before they even left the Shire!
This book keeps track of events, words (lot of archaic words need to be defined - and not everyone knows that a league is 3 miles!)
As brilliant a book this is (I've read it once thus far, all the way through) I do have to wonder who its for... As I've said, you can't just pick up this book if you're not really familiar with the Story as you'll get rather cross and fling it aside because you'll be confused about references to Westernesse (aka Numenor) and so forth. (Westernesse is the land lost by betrayal by Sauron at the close of the Second Age when the king took up arms against the Valar in the West.)
I think it would also help if you had a passing familiarity with The Silmarillion, even if just reading about it in the excellent Tolkien for Dummies book, which touches on the Ages previous to the events of the War of the Ring (at the close of the 3rd age)
I think reading the Silmarillion might be too much for some people (I found it tedious and not as engrossing as the Lord of the Rings) so perhaps finding a synopsis would be best. I do think it would help that you read the Lord of the Rings a least a few times before picking up this work (this IS a review of the Readers Companion); it really helps if you know the Lord well, to sum up. Otherwise this work might be too frustrating a read, and you won't know the worldThe " Lord of the Rings " : a Reader's Companion Overview

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The Lord of the Rings Poster Collection: Six Paintings by Alan Lee (No. 1) Review

The Lord of the Rings Poster Collection: Six Paintings by Alan Lee (No. 1)
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The Lord of the Rings Poster Collection: Six Paintings by Alan Lee (No. 1) ReviewHaving never owned any of Alan Lee's LOTR artwork before, I bought this collection on the advice I had found in many places online. Needless to say, I was not disappointed.
It is true what is said about Lee's visual mastery of Tolkien's words. The images are often much like what I pictured from the books . . . even Gollum.
My only issue was with the scenes chosen to be depicted in the collection. Three of the six are from Mordor (Gates of Mordor, Gorbag & Shagrat, and from the foot of Mount Doom), the artwork of which is not at all bad, but it is repetitive, when there is so much more. I'm most anticipatory to find Lee's depiction of the Ents somewhere. ^_^
The paper quality is good & thick, and the posters come in a glossy protective folder with information on the artist, text bits that were the basis for the paintings, etc.The Lord of the Rings Poster Collection: Six Paintings by Alan Lee (No. 1) Overview

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Alchemy in Middle-Earth: The Significance of J.R.R. Tolkien's The Lord of the Rings Review

Alchemy in Middle-Earth: The Significance of J.R.R. Tolkien's The Lord of the Rings
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Alchemy in Middle-Earth: The Significance of J.R.R. Tolkien's The Lord of the Rings ReviewJ.R.R. Tolkien's magisterial opus, "The Lord Of The Rings" has been examined by many scholars and students, but this book is unique. Mr. Shelton dives deep below the surface of the text attempting to draw out hitherto obscure and veiled connections between this "Most Important Book of The Twentieth Century" the great religious and symbolic traditions of mankind. Much has been made by other reviewers of the "Islamic" character of this book; in fact, the title, "Alchemy In Middle Earth" points to the real essentials of its singular approach. The book attempts to highlight the realities and transcendent truths at the heart of Tolkien's vision. To my understanding, there is no other study of Tolkien that brings the searching light of the perennial philosophical tradition to bear upon the obviously profound hidden depths of "The Lord Of The Rings".... Highly recommended for those with a heart and imagination!Alchemy in Middle-Earth: The Significance of J.R.R. Tolkien's The Lord of the Rings Overview

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Lord of the Rings Instrumental Solos Violin Book: With Piano Accompaniment & CD Review

Lord of the Rings Instrumental Solos Violin Book: With Piano Accompaniment and CD
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Lord of the Rings Instrumental Solos Violin Book: With Piano Accompaniment & CD ReviewThis is a wonderful score book for violin with piano accompaniment. Inside there is a removable section with just the violin sheet music and it comes with a cd with a demo and back-up music to play along with. I truly recommend this for anyone who plays violin. I enjoy the Lord of the Rings, but I also feel that the music is beautiful on its own.Lord of the Rings Instrumental Solos Violin Book: With Piano Accompaniment & CD Overview

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Peter Jackson in Perspective: The Power Behind Cinema's The Lord of the Rings. A Look at Hollywood's Take on Tolkien's Epic Tale. Review

Peter Jackson in Perspective: The Power Behind Cinema's The Lord of the Rings. A Look at Hollywood's Take on Tolkien's Epic Tale.
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Peter Jackson in Perspective: The Power Behind Cinema's The Lord of the Rings. A Look at Hollywood's Take on Tolkien's Epic Tale. ReviewThe great thing about The Lord of the Rings is what J. R. R. Tolkien called "applicability," or the ability of his myths to speak to everyone who reads them where he or she is. Too often those of us who love his work, and those who write up big explorations of his themes and symbology act as though we have found THE key to understanding Tolkien. That's trying to cram his myth into allegory, which he would have hated passionately. Tolkien's genius is that his myth sustains many of these explanations simultaneously because it is myth and encompasses much more reality than mere fact or truth could. (See On Fairy Stories for an explanation of this.)
Greg Wright has the ability to explore Tolkien's themes and yet not set his explanations in stone. Then he highlights these themes as they did or did not show up in the film. My enjoyment of Tolkien and insights into his work, and the ways in which it was interpreted in the movies directed by Peter Jackson was expanded in Greg's collection of ongoing musings. Greg also has a great gift for keeping it short, sweet, and clearly logical-which means there is more to continue thinking about after he's got you started. He also has a good feel for how literature, image and culture intersect to bring about our engagement with this story in both book and film. If you want an exploration of Tolkien that comes in small bites and opens up new vistas in Middle-earth for you and sends you off on new mental quests, this book is a winner.Peter Jackson in Perspective: The Power Behind Cinema's The Lord of the Rings. A Look at Hollywood's Take on Tolkien's Epic Tale. Overview

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So You Think You Know the Lord of the Rings? Review

So You Think You Know the Lord of the Rings
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So You Think You Know the Lord of the Rings ReviewExcelent book, with many questions on details that you really don't pay much attention too.
But a lot of fun to quiz your friends and earn points for nerdyness:)
An excellent purchase!So You Think You Know the Lord of the Rings Overview

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The Lord of the Rings 1954-2004: Scholarship in Honor of Richard E. Blackwelder Review

The Lord of the Rings 1954-2004: Scholarship in Honor of Richard E. Blackwelder
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The Lord of the Rings 1954-2004: Scholarship in Honor of Richard E. Blackwelder ReviewDick Blackwelder (1909-2001) was an entomologist and zoologist, whose 1978 encounter with Tolkien's writings led to his amassing a huge collection of secondary materials on Tolkien and the compilation of A Tolkien Thesaurus (1990). Since Marquette already owned most of the manuscripts for The Hobbit and The Lord of the Rings, Blackwelder's bequest enhanced the Wisconsin university's already great importance for Tolkienian researchers. (Wayne Hammond's paper in the present collection discusses the importance of original manuscripts for the study of Tolkien's fiction and illumination of his life.)
In celebration of Blackwelder's own work and financial contribution on behalf of Tolkienian scholarship, and to mark the fiftieth anniversary of the publication of The Lord of the Rings, a 2004 conference brought together many of the most prominent scholars in this field. Publication of the resulting 20 papers has been subsidized by the Blackwelder endowment, which no doubt helps to keep down the cost of this attractively produced book.
Readers interested in Tolkien's literary creativity will be interested in several essays. Paul Edmund Thomas shows that we owe Tolkien's publishers much gratitude, because their refusal to accept the Silmarillion materials as a follow-up to The Hobbit compelled Tolkien to conceive and to write The Lord of the Rings (in fits and starts). Thomas and the next essayist, John Rateliff, discuss the importance of the sense of antiquity (something Tolkien found basic in Beowulf) as central for Tolkien's fiction. (One would have appreciated a reference for his statement that Lord Dunsany was "one of Tolkien's favorite fellow fantasists.") Verlyn Flieger zeroes in on Tolkien's desire to provide fictional antiquarian explanations of the origins of his Middle-earth books (the Red Book of Westmarch, etc.), suggesting that the 1934 discovery of the Arthurian Winchester manuscript and its 1947 publication influenced not only this element of Tolkien's fiction but his wishes for a multi-volume format in which his fiction could be published. Christina Scull's paper is an enjoyable distillation of evidence of the History of Middle-earth series and Tolkien's letters, highlighting several remarkable changes from initial to final conceptions in LOTR. David Bratman's paper complements Scull's, examining changes made by Tolkien not only prior to publication of The Lord of the Rings but from the first edition to the second.
Several essays take up the topic of class in Tolkien. John Garth focuses on Frodo's experiences as a transmutation of those of British soldiers in the Great War; Garth notes in passing the typical wartime arrangement wherein officers had commissions for class reasons, while the privates actually possessed more experience relevant to the conditions of trench warfare. Marjorie Burns surveys the persistence of hierarchy (the "high," the noble, the ancient) in Tolkien's fantasy, finding that Tolkien also rewards the meek and finds ways to break down "social division" (as she notes Christianity does). Jane Chance sees feudal contracts as recurrent in LOTR; Gollum's homage to Frodo as Ringbearer, Merry's pledging of himself to Theoden, and Pippin's service to Denethor all show the deference of "third estate" (commons) figures to "first estate" (aristocracy) figures (and each of these commoners is ultimately disobedient, too).
In two further papers, Gary Hunnewell contributes "Naysayers in the Works of Tolkien" and Matthew Fisher finds Tolkien "`working at the crossroads' of Northern courage [as seen in Beowulf] and the theology of Augustine" in LOTR. Much of Fisher's paper, however, is given to the exposition of Augustine and to excerpts on theological topics from Tolkien's letters; perhaps a more extensive treatment of Augustinianism and of the pagan Northern theory of courage will appear eventually.
This essay collection has no papers on the recent LOTR movies. The prominence the films gave to the romance of Aragorn and Arwen may, however, prompt interest in their story as Richard West has sensitively pieced it together from widely dispersed elements in the book.
Several papers deal with Tolkien's scholarly interests. Michael Drout discusses the composition of Tolkien's most famous professional essay, the Beowulf lecture; Tolkien worked on it till it was "not only logically sound but also rhetorically persuasive." The Gothic language may be said to straddle a line between real language and imaginary language because so much of it must be reconstructed, and Arden Smith shows Tolkien at work doing that. Tolkien's interest in the Old English dialect of the West Midlands and his comparison of two manuscripts, showing that they conformed to the same linguistic standards, features in Arne Zettersten's article.
Tom Shippey, whose Road to Middle-earth is my choice for the one essential study of Tolkien's fiction, has been working on a book about the Grimm brothers as philologists. His paper in this collection connects Tolkien's scholarly work with theirs, and includes enjoyable linguistic "unpackings" of two unusual words in LOTR, Sam's "ninnyhammer" and Eowyn's "dwimmerlaik." Few indeed could be those who know as much as Carl Hostetter does about Tolkien's invented languages. One probably could not do better, if seeking to know what Tolkien thought he was doing, and what he was not doing, in his creation of Quenya and Sindarin, or to recognize the limitations of their further development, than to read his essay.
The rapid emergence of fantasy as a publishers' marketing genre, after the paperbacking of LOTR in the mid-1960s, is traced by Douglas Anderson. (LOTR had sold well before then, though.) Anderson unearths a remark from Tolkien, not included in the Letters volume, in which he claimed membership in science fiction and fantasy "fandom." Mike Foster provides good ideas for anyone who will be teaching a college course on Tolkien's fiction.
This collection - which is indexed (something not to be taken for granted!) -- is a must-purchase for college and university libraries, and is also recommended for public and secondary school libraries that have significant Tolkien holdings.The Lord of the Rings 1954-2004: Scholarship in Honor of Richard E. Blackwelder Overview

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Art of the Lord of the Rings Trilogy Review

Art of the Lord of the Rings Trilogy
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Art of the Lord of the Rings Trilogy ReviewDo not get fool as I was, the book that the seller will send to you is simply the Art of Lord of the Rings Trilogy by Gary Russell, the book cover will not be the cool ringwraiths in twilight as you might expect, but simply the well known minas tirith at the bottom right and the morgul lord mounting the fellbeast on the left upper corner of the book cover. This is no newer version of the Art of Lord of the Rings either.Art of the Lord of the Rings Trilogy Overview

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Gollum: How We Made Movie Magic (The Lord of the Rings) Review

Gollum: How We Made Movie Magic (The Lord of the Rings)
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Gollum: How We Made Movie Magic (The Lord of the Rings) ReviewAndy Serkis is the outstanding actor who is barely seen in his most beloved role: Gollum, the tormented Ring junkie. In "Gollum: A Behind the Scenes Guide," he talks frankly and easily about how this complex, difficult character was brought from the book to the screen.
Andy Serkis was unenthusiastic when he heard that they were searching for actors to play Gollum in "Lord of the Rings." But after his now-wife began gushing about what a wonderful character Gollum was, he went in for an audition, armed only with a voice that sounded like his cat throwing up hairballs. Not only did Serkis get the role, he also learned that there was more needed for Gollum than just the voice: He had to suit up in a motion capture suit to provide Gollum's movements as well.
"Gollum: A Behind the Scenes Guide" is more than just a guide about how the first really convincing CGI character was created. Serkis also chronicles bits of his everyday life in New Zealand, the birth of his son, September 11th, the premiere of "Two Towers," and the more widespread reaction to everybody's favorite Ring junkie (Gollum appeared on SNL and "The Simpsons, for example). Not to mention a sweet poem Serkis wrote to his young daughter.
To give further dimension to Serkis's story, there are lots of concept drawings and clay statues of Gollum (warning: avoid certain pages unless you're willing to see Gollum naked). There are also detailed sections written by Peter Jackson, Fran Walsh, the mocap crew, and many others about how they also helped create Gollum. For example, there was a lot of thought given to what kind of nose Gollum should have, or whether he should have a potbelly.
Serkis has a nice, conversational style, with plenty of self-deprecating humor and excellent descriptions ("... suddenly this bald lunatic in pale green spandex comes lolloping into view. It was like a very bad nightmare, like a Dali painting gone wrong"). He's got a nice vocabulary and a great actor's sense, getting into Gollum's bald little head. And despite his claims of "ignorance of great literature," he makes some nice references to Narnia, Shakespeare, Dickens, Hugo, and ancient Norse sagas.
Andy Serkis and the people at WETA created movie history with the flawless Gollum. And Serkis's mini-memoir about how Gollum came to life is not just a good book for "Rings" fans, but for cinephiles and movie students as well. It's our precious.Gollum: How We Made Movie Magic (The Lord of the Rings) Overview

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Return of the Heroes: The Lord of the Rings, Star Wars, Harry Potter and Social Conflict Review

Return of the Heroes: The Lord of the Rings, Star Wars, Harry Potter and Social Conflict
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Return of the Heroes: The Lord of the Rings, Star Wars, Harry Potter and Social Conflict ReviewAs a fan of Tolkein, Star Wars, and Harry Potter and one who has appreciated a number of analytic treatments of their themes in relation to culture and society, I was expecting something a little different. Perhaps a more accurate title might have been "Defending the Heroes: Debating Critics of Tolkein and Star Wars, with a Little Harry Potter Thrown in."
The larger portion of the book consists of the author cataloging an extensive list of negative criticisms and in turn criticizing the critics for their method and mood. Granted, his arguments make a lot of sense. But there is much less positive treatment of heroic themes and their potential validity and usefulness in modern society, and much repetitive groaning about how mistaken the critics are.
Not only that, the subtitle suggests that three different series will be treated in the book. In fact, Harry Potter is mentioned only briefly, a few times, almost as if his inclusion were meant to capitalize on his current popularity. For the amount of space devoted to Harry Potter themes, he could just as easily (and more accurately) have been excluded from the title. I found this to be misleading.Return of the Heroes: The Lord of the Rings, Star Wars, Harry Potter and Social Conflict Overview

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Celebrating Middle-earth: The Lord of the Rings as a Defense of Western Civilization Review

Celebrating Middle-earth: The Lord of the Rings as a Defense of Western Civilization
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Celebrating Middle-earth: The Lord of the Rings as a Defense of Western Civilization ReviewWhile all six essays in this slender volume will prove of interest to the reader seeking more background on J.R.R. Tolkien's epic story, I found the essay by Janet Blumberg, "The Literary Background of The Lord of the Rings" especially valuable. Prof. Blumberg not only explains the influences of Anglo-Saxon literature such as "Beowulf" and High Medieval literature such as "Sir Gawain and the Green knight" on elements in LOTR, but also offers a credible explanation for one of the most remarked about elements in the books: the absence of any overt religious practice or worship. This essay alone makes this slender volume a valuable addition to the library of any Tolkien fan.Celebrating Middle-earth: The Lord of the Rings as a Defense of Western Civilization Overview

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Fantasy and Your Family: Exploring the Lord of the Rings, Harry Potter, and Modern Magick Review

Fantasy and Your Family: Exploring the Lord of the Rings, Harry Potter, and Modern Magick
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Fantasy and Your Family: Exploring the Lord of the Rings, Harry Potter, and Modern Magick ReviewRichard Abanes wasted his time writting this book. Why do I say this? Because he wrote the same book a year before this one came out. The only difference it that he renamed it from "Harry Potter and the Bible" to "Fantasy and your Family." In both books Abanes gives an unfair and biassed crtiticism of Harry Potter. He frequently tells one side of the story and leaves the other half out conviniently.
Also he advances the theory that the books contain sexism and at least two anti-Christian remarks which is not true.
He also uses scare tactics to frighten already concearned Christian parents by saying that kids are saying they want to be involved in the Occult because of Harry Potter. One quote he uses on page 160 by a 13 year old girl who said she wants to do magick, like being a parseltongue or a necromancer. The second thing is not even in the books. This gives me the idea that these kids had an influence other than Harry Potter.
Also he fails to point out that though the occult has had a growth, that a Zenit news article points out that the occult populations in Europe and the U.S. are both under 0.1% of there general populations. The same article also points out that though Potter and Buffy have a large following in Europe that there the occult movements are in decline.
Do I even need to say I cannot recommend this book?Fantasy and Your Family: Exploring the Lord of the Rings, Harry Potter, and Modern Magick Overview

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Poems from the Lord of the Rings Review

Poems from the Lord of the Rings
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Poems from the Lord of the Rings ReviewI love the poems from Lord of the Rings and was always marking the pages where they were. Now I don't have to hunt. It is also a lovely way to enjoy Allen Lee's work if you can't afford to buy the complete illustrated version. It is also small enough to fit in a purse for reading at a Doctor's office or on a lunch break.Poems from the Lord of the Rings Overview

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Literature Guide: Lord of the Rings (Scholastic Literature Guide) Review

Literature Guide: Lord of the Rings (Scholastic Literature Guide)
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Literature Guide: Lord of the Rings (Scholastic Literature Guide) ReviewI am happy to see that teachers are finally adding the Tolkien books to the curriculum. J.R.R. Tolkien is arguably the best author of the 20th century, and his novels are rich in underlying themes that can potentially open children's mind to further learning. I have to disagree with another reviewer that said that adding Tolkien to the curriculum would make the novels tedious. Some of the most influential books in my life were read in school. By reading Tolkien in the classroom the teacher has an opportunity to guide children through this wonderful books, which can be a little overwhelming for some children. There is more to Tolkien's work than the plot of his novels. The author himself said there were important underlying themes in his work, and they are worth exploring. From my own experience I can say that although I read The Hobbit and The Lord of the Rings when I was 9 years old, I did not pick up on most of the underlying themes until I re-read years later. I wish there would have been someone to help me with my questions during that first reading too.
Finally,introducing great literature in the classroom makes sense. Too many children grow up without being exposed to good literature. In fact, the only thing many of them read is what they read for school. Tolkien's work, if taught correctly, can go a long way in helping children develop a lifetime love of reading that is so rare these days. Teacher's should take advantage of all the excitement brought about by the recent film versions of the books to get children interested in the story. Tolkien should not be treated as a regular text book, but as an exciting addition to the curriculum. This Literature Guide can help teachers break down all the complex information found in Tolkien's books into manageable concepts for schoolagers. I do suggest that the teachers educate themselves on the subject first by reading some of the books written by scholars on the subject so they can accurately explain concepts to students. Tolkien's work is complex. Children (especially the older ones) are bound to ask questions that about the book that are not answered in the Guide, and teachers should be prepared for them. After all, you can't teach something you don't know much about!Literature Guide: Lord of the Rings (Scholastic Literature Guide) Overview

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Unsung Heroes of The Lord of the Rings: From the Page to the Screen Review

Unsung Heroes of The Lord of the Rings: From the Page to the Screen
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Unsung Heroes of The Lord of the Rings: From the Page to the Screen ReviewIn first looking at this book I was reminded of John Milton's "They also serve who only stand and wait."
This is a book on heros, but not the star. This is a book on the lessor heros, the little people, the women, even children that are also heros, even if of a lessor scale. Written in the aftermath of the 9/11 attack where we learned that the ordinary firemen, policeman, yes, even office worker occassionally does heroic things.
This book, though is based on the characters in The Lord of the Rings. It concentrates on finding heroic behavior in the lessor characters to illustrate both the genius of Tolkien's work, how well it was adapted to the movies and to illustrate how these minor heros have simularities with's today's real-life heros.
This book helps to understand how the adapted the book to the new medium of film, but also to show the depth of the original work and how faithfully this was carried out in the transposition to film.Unsung Heroes of The Lord of the Rings: From the Page to the Screen Overview

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The Fellowship of the Ring Insiders' Guide (The Lord of the Rings Movie Tie-In) Review

The Fellowship of the Ring Insiders' Guide (The Lord of the Rings Movie Tie-In)
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The Fellowship of the Ring Insiders' Guide (The Lord of the Rings Movie Tie-In) ReviewThis book is apparently intended to be the equivalent for young readers of the "Lord of the Rings Official Movie Guide," which is also written by Brian Sibley (who was also the co-writer of the script for the BBC's excellent radio adaptation of "The Lord of the Rings," starring Ian Holm as Frodo). In many ways this children's version, although shorter and less detailed, is more interesting than the adult version. The "Insiders' Guide" contains some information not included in the "Movie Guide," such as the "Loom!" story mentioned by another reviewer below. Indeed, in general the emphasis of the "Insiders' Guide" seems to be a bit less on the production design of the movie, and more on the process of filming it and the experience of being on the set, than that of the "Movie Guide."
One interesting feature of Sibley's text as compared to that of the "Movie Guide" is that the chapters of the "Insiders' Guide" tend to begin with especially intriguing sentences intended to grab the reader's attention. Perhaps Sibley thinks this is more necessary when writing for children than for adults; I consider it a good technique when writing for any audience. ("Apollo 13," formerly called "Lost Moon," by James Lovell and Jeffrey Kluger, is an excellent example of the use of this technique in a non-fiction book for adults.)
Tolkien fans, and those moviegoers who have fallen in love with Peter Jackson's film, may well want to collect all four movie tie-in books: this "Insiders' Guide" and the "Photo Guide" (both intended for children) along with the "Movie Guide" and the "Visual Companion" (both intended for adults). Young readers seeking paperback books about the movie will find both the "Insiders' Guide" and the "Photo Guide" fairly good choices; the "Insiders' Guide" provides information about the movie's production and the background behind it, while the "Photo Guide" is the better bet for images from the film.The Fellowship of the Ring Insiders' Guide (The Lord of the Rings Movie Tie-In) Overview

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Lord of the Rings Official Stage Companion Review

Lord of the Rings Official Stage Companion
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Lord of the Rings Official Stage Companion ReviewI read this book before I saw the production (it arrived the morning before we left to see it), it covered every detail of the cast and crews journey which should prove to others that this interpretation was not just a money making venture but a sincere attempt to bring Tolkens world to the theatre. They succeeded since this production did push the ideas of storytelling to a place which was fantastically captivating. From each page thoughtfully chosen photos bring to life the memory of the Toronto and London productions. The costumes are fabulous to look on in more detail and the evolution of the ingenious stage design is just as interesting to read about as it was to see. The book largely focuses on the London cast and the brave steps they each took in bringing their characters to life ... if you were an Elf; you needed a head for heights and if you were a Hobbit a competent level of physical dexterity was needed, especially if you had to clime over members of the audience or if you happened to be a leaping Orc ... all of this is covered in the book, all the ideas reveal a level of originality which hasn't been seen in the West End for some time and perhaps not achieved as well. For all of the shows apparent growing success, it's early closure seems surprisingly unfair, for it is to be replaced by Andrew Lloyd Webbers new Oliver production-(Mr Webber wanted that theatre badly it seems); for myself the West End continues to be a place battling with artistic freedoms and business sense usurping them all too often but every once in awhile something unexpected arrives which takes your breath away and this book goes someway in preserving that first experience we had. A great book ... maybe Wallace productions will issue a dvd which utilises many of the videos which appeared on the web site ... I am sure there must be more production footage which still remains unseen?!
"Lothlorien is no more but her beauty is here reborn, you have used my gift well Samwise Gamgee...Frodo Baggins, jewel among Hobbits, if your hurts grieve you still and the memory or your burden is heavy come with us ... all your wounds and weariness will be healed ..."Lord of the Rings Official Stage Companion Overview

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The End of the Third Age (The History of the Lord of the Rings, Part 4) Review

The End of the Third Age (The History of the Lord of the Rings, Part 4)
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The End of the Third Age (The History of the Lord of the Rings, Part 4) ReviewIf you already have the 9th volume in the 'History of Middle-earth' (H.O.M.E), 'Sauron Defeated' (published in 1992), you DO NOT need to buy this book, 'The End of the Third Age': It contain less then half the material that already appered in volume 9 (i.e pages 3-141 of the main text & 441-457 of the index). The soul purpose of this book is to complement the newly-packeged 'mini series' 'The History of the Lord of the Rings', which is made up from volumes 6, 7, 8 & this first half of volume 9 of the H.O.M.E. series. The current book DOES NOT CONTAIN ANY NEW MATERIAL.The End of the Third Age (The History of the Lord of the Rings, Part 4) Overview

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The Magical Worlds of Lord of the Rings: The Amazing Myths, Legends and Facts Behind the Masterpiece Review

The Magical Worlds of Lord of the Rings: The Amazing Myths, Legends and Facts Behind the Masterpiece
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The Magical Worlds of Lord of the Rings: The Amazing Myths, Legends and Facts Behind the Masterpiece ReviewIf you read The Hobbit as a child and never got around to LOTR and the Simarillion, or if you are a new fan because of the movies this is a perfect book for you. Although the tone of the book is lighthearted and fun, the author obviously did his homework. He explains LOTR and The Hobbit by answering questions that new fans have. Why are Tolkein's elves so tall? Where did the idea for hobbits come from? How old is Gollum anyway? He tells how Shelob the spider came to be (Tolkien was attacked by a tarantula as a small child) and what Gandalf really is, and so much more.
The reader will learn that LOTR is heavily inspired by Beowulf and Norse mythology. After reading this well written and amusing book I have decided to re-read LOTR. I now have even more respect for J.R.R. Tolkein. This book is actually a respectful tribute to him and his genius.The Magical Worlds of Lord of the Rings: The Amazing Myths, Legends and Facts Behind the Masterpiece Overview

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Untangling Tolkien: A Chronology and Commentary for The Lord of the Rings Review

Untangling Tolkien: A Chronology and Commentary for The Lord of the Rings
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Untangling Tolkien: A Chronology and Commentary for The Lord of the Rings ReviewAn amazing accomplishment by a dedicated Tolkien fan.
That is how I'd sum up the book Untanging Tolkien. Michael Perry has first unraveled all Tolkien's "dates" -- which can be extrapolated from phases of the moon -- and then knit them together again in a cohesive outline, presented in much greater detail than Tolkien's own timeline (found buried in Appendix A of LOTR). By incorporating information from other Tolkien writings, the author of Untangling Tolkien collates additional facts about all the characters and the circumstances surrounding the War of the Ring, folding them all into this detailed chronology. He includes material that sheds light on possible parallels between Tolkien's work and events that were contemporary, and he provides original commentary that suggests some additional motivations for Tolkien's characters. Sidebars offer references to every source for the information presented and for each conclusion the author has drawn.
I found the format, with quick-reference bulleted lists and clearly delineated sections and subheadings, well-organized and easy to use.
NOTE: I read the third printing that was published in May 2004. Apparently the author has corrected many of the errors that David Bratman objected to (below). You won't find a better overview or a more throrough treatment of time and dates in LOTR than Perry provides in this book.Untangling Tolkien: A Chronology and Commentary for The Lord of the Rings Overview

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