Showing posts with label 20th century european fiction. Show all posts
Showing posts with label 20th century european fiction. Show all posts

The Lord of the Rings Instrumental Solos: Clarinet (Book & CD) Review

The Lord of the Rings Instrumental Solos: Clarinet (Book and CD)
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The Lord of the Rings Instrumental Solos: Clarinet (Book & CD) ReviewIf you have a middle shooler in band that loves the Lord of the Rings Movies and plays clarinet, this book will get them playing more. The tape helps if you are an ear musician.
Our only reservation was about how the clarinet is generally buried in the original score and how it would sound as a solo instrument. Basically, there are some numbers where the clarinet picks up a solo by an oboe or flute but they picked songs where it works, along with some pieces they feature that sound like they have clarinet in them orginally. The rohan and black rider songs in particular sound kind of exotic with the clarinet featured as a solo piece.
If your kid watches the movies over and over, probably this book will get them more stoked about band, but my kid practices a lot anyway, so it's hard to say.The Lord of the Rings Instrumental Solos: Clarinet (Book & CD) Overview

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The " Lord of the Rings " : a Reader's Companion Review

The  Lord of the Rings  : a Reader's Companion
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The " Lord of the Rings " : a Reader's Companion ReviewThe Lord of the Rings - A Readers Companion - 2008 revised - paperback
I remember when I was at college, struggling to read Ulysses by James Joyce. I had a book of annotations to my side and was struggling to understand chapter 3 of Stephen Dedalus's adventures on the Sandymount Strand in Eire
This book is rather like that book, but I think its more of a joy to read. Although this book is not for a person who has never read the Story (it will probably give away the ending for a start!) I think its pretty worthwhile for a person whos read the "trilogy" (of SIX Books! in three Volumes!) more than once
If you've read Lord I think you'll really enjoy this. Its engrossing, and (to be honest) too much in depth (I don't really care to know what words mean in Elvish!)
So this book works well but you don't have to read EVERY bit, like the Ulysses Gifford guide. Tolkien was in love with words being a philogist, names of places and people had to mean something. His pose in the work was as a translator of the work into Westron, the Common Tongue, so you get (for example) Samwises real name in the original text as Banizir
So I can think the attention to detail can get overwhelming (what Samwises name is in Sindarin, etc).
So I do think its a great book, but it can get overwhelming. Tolkien created a history for the work, and as great a book as this is (its the best book I've read on Tolkien, up there with Lord of the Rings actually) it might be best if you just take it in small doses. Listen to the Lord of the Rings on audio cassette and read along with this book for to start.
Again, it helps if you're intimate with the Lord of the Rings. Its not unusual for people to read Lord every year (like me). If you have read it a few times, I think you will really enjoy this book, as its an intelligent, in depth study of the work, page by page
I mean, its 900 pages of annotations, and it has a nice "dip in" quality, and it is an absorbing read
Just make sure you've read the Lord of the Rings a few times first though, otherwise you might end up throwing the Companion aside in frustration, just because of the minute attention to detail.
See, Tolkien worked out phases of the moon, dates, and so forth; after Books 1 & 2 (which comprise The Fellowship of the Ring) it becomes convoluted, with Book 3 (Two Towers is comprised of Books 3 & 4 - 4 dealing solely with Frodo and Sam's mission to Mordor) starting off with Aragorn speeding up the hill of Amon Hen (on February 26) and ending with Pippin riding with Gandalf to Minas Tirith the night of March 5/6 - with different characters intercepted at different times throughout that particular Book. By contrast, Book 4 (picking up Frodo and Sam) starts in median res at February 28 and ends with the capture of Frodo by old Sauron on late March 13th, a full week later than the end of Book 3. So in few, the time periods to each book are not always concurrent - that is, starting at the same time and ending at the same time
So to keep track of moon phases, dates, meanings of words in one huge tome is quite something. Clearly the Lord of the Rings is (in Tolkien's phrase)a matter that "got out of hand" rather quickly. Original drafts of early chapters of the first book had the Black Rider hunting for the Shire hobbits originally being Gandalf, comically surprising them while leaving Hobbiton - in the comic vein of the earlier book The Hobbit, to which Lord was a sequel; this incident became much darker with Gandalf turning to a Black Rider STALKING the hobbits before they even left the Shire!
This book keeps track of events, words (lot of archaic words need to be defined - and not everyone knows that a league is 3 miles!)
As brilliant a book this is (I've read it once thus far, all the way through) I do have to wonder who its for... As I've said, you can't just pick up this book if you're not really familiar with the Story as you'll get rather cross and fling it aside because you'll be confused about references to Westernesse (aka Numenor) and so forth. (Westernesse is the land lost by betrayal by Sauron at the close of the Second Age when the king took up arms against the Valar in the West.)
I think it would also help if you had a passing familiarity with The Silmarillion, even if just reading about it in the excellent Tolkien for Dummies book, which touches on the Ages previous to the events of the War of the Ring (at the close of the 3rd age)
I think reading the Silmarillion might be too much for some people (I found it tedious and not as engrossing as the Lord of the Rings) so perhaps finding a synopsis would be best. I do think it would help that you read the Lord of the Rings a least a few times before picking up this work (this IS a review of the Readers Companion); it really helps if you know the Lord well, to sum up. Otherwise this work might be too frustrating a read, and you won't know the worldThe " Lord of the Rings " : a Reader's Companion Overview

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Hobbits, Elves and Wizards: The Wonders and Worlds of J.R.R. Tolkien's "Lord of the Rings" Review

Hobbits, Elves and Wizards: The Wonders and Worlds of J.R.R. Tolkien's Lord of the Rings
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Hobbits, Elves and Wizards: The Wonders and Worlds of J.R.R. Tolkien's "Lord of the Rings" ReviewAs a scholar who has studied and taught J. R. R. Tolkien's "Lord of the Rings" trilogy for twenty-five years, there are very probably very few better qualified to write an introductory book on the subject than Michael Stanton. He's obviously a great fan on the book (that is, he does not seem to be simply trying to cash in on the recent popularity that the movies have caused) and writes in a simple, chatty style that is easy for most non-academics to understand. For those who are more experienced in reading essays and critiques, "Hobbits, Wizards and Elves" may come across as either too simplistic or repetitive - and I admit that there was very little here that I hadn't already come across in more comprehensive essays on this subject.
But Stanton is well aware of this, and has no delusions about what it is that he's writing - in fact on many occasions he encourages other authors that go deeper into the text, and often apologises for his `bare-bones' treatment of the subject. To like the author's own voice makes up a great part of one's enjoyment of these exploratory books, and there's nothing pretentious or overtly opinionated in Stanton's techniques.
In saying that however, this is a book for beginners to the world of Tolkien - long time studiers or fanatical fans will know all this stuff already - and probably through their own readings of the book. Yet for those starting out, or those that need a helping hand in grasping the finer details of Tolkien's great work, this is a readable and clear-cut `helpmeet' to "the Lord of the Rings".
In Part One of the book Stanton gives us a (very) brief biographical account of Tolkien's life and his inspiration for the book, and the publishing history, followed by a chapter devoted to the geography, history and themes that make up Middle-Earth. The bulk of the book is taken up with accounts of the six books that make up the complete "Fellowship of the Ring", "The Two Towers" and "The Return of the King." This is perhaps the most interesting part (at least for me), as he explores the meanings and finer details of the chapters and the events and characters within them.
Part Two divides up the `species' of Middle Earth and explores their cultures closer: Elves, Dwarves, Ents, Humankind (including Hobbits) and the forces of evil are all discussed separately, and then finally Tolkien's use of language (undoubtedly the basis of the entire saga) and the use of dreams and spirituality throughout the story.
Lastly comes a chapter on the Peter Jackson version of "the Fellowship of the Ring" that is enthusiastically advertised by the publishers on the front cover: "includes a new essay on the first part of "the Lord of the Rings" film trilogy!" As it turns out, this is the most unnecessary parts of the book, and I couldn't help but feel that Stanton was either coerced into doing this for the benefit of sales, or was simply a little `pet-project' of his that he wanted to sneak in. As it is, it is not an `essay' at all, but simply a list of opinions concerning the movie that nearly verges into being a movie review. As you may have guessed, the absence of Tom Bombadil and the role of Arwen are mentioned, as are a few other little nitpicks, but at least Stanton appreciates Sean Bean's role as Boromir - a performance that I believe is often overlooked by viewers.
He's not afraid to criticise certain portions of the book (he points out that only three of five wizards sent to Middle Earth are identified, and that Tolkien puts the title of `oldest living thing in Middle Earth' on two separate characters: Tom Bombadil and Treebeard), and to go against popular fan speculation (in his opinion the `unsung hero' of the story is not Samwise Gamgee, but Prince Imrahil) but on the whole you can tell that he simply adores Tolkien's work and has read it multiple times.
He also points out some interesting titbits that are obvious in hindsight, but which were overlooked by me in my own reading of "Lord of the Rings" - such as the fact that Pippin is the only character in the book to directly converse with Sauron.
It is not a thick book, nor a very deep one, but it is interesting nonetheless and would be valuable to those just beginning to explore Tolkien's world. I've been exploring for a few years now, and I still found some interesting theories and explanations - but then I brought this book at the University's book store for only two dollars, so I'm hardly going to take a harsh view of something brought so cheaply. Any one well-versed in Tolkien's universe has more comprehensive works to explore, but beginners are most welcome here.Hobbits, Elves and Wizards: The Wonders and Worlds of J.R.R. Tolkien's "Lord of the Rings" Overview

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The Lord of the Rings (Wood Box Edition): (wood box) Review

The Lord of the Rings (Wood Box Edition): (wood box)
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The Lord of the Rings (Wood Box Edition): (wood box) ReviewDespite the fact that this is shown as being published in 2001, the copyright dates first from 1954. There is a reason that other versions have come out since this one: this one isn't good.
There are different readers for different characters, and some of the voices are really jarring. Frodo, to my ear, is completely wrong. In addition, it is poorly abridged. One of the most remarkable things about Middle Earth is how wonderfully imagined it is; all of the details are described so lovingly. Not in this version. Here, almost everything is dialog, so you are given little idea of what anything looks like. Some of the most cherished quotations (for me, at least) are mangled. In all, very disappointing. I remember hearing the BBC's dramatization years ago on radio and thinking it was wonderful job on very difficult material. I certainly wouldn't say that of this version.The Lord of the Rings (Wood Box Edition): (wood box) Overview

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The Lord of the Rings Poster Collection: Six Paintings by Alan Lee (No. 1) Review

The Lord of the Rings Poster Collection: Six Paintings by Alan Lee (No. 1)
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The Lord of the Rings Poster Collection: Six Paintings by Alan Lee (No. 1) ReviewHaving never owned any of Alan Lee's LOTR artwork before, I bought this collection on the advice I had found in many places online. Needless to say, I was not disappointed.
It is true what is said about Lee's visual mastery of Tolkien's words. The images are often much like what I pictured from the books . . . even Gollum.
My only issue was with the scenes chosen to be depicted in the collection. Three of the six are from Mordor (Gates of Mordor, Gorbag & Shagrat, and from the foot of Mount Doom), the artwork of which is not at all bad, but it is repetitive, when there is so much more. I'm most anticipatory to find Lee's depiction of the Ents somewhere. ^_^
The paper quality is good & thick, and the posters come in a glossy protective folder with information on the artist, text bits that were the basis for the paintings, etc.The Lord of the Rings Poster Collection: Six Paintings by Alan Lee (No. 1) Overview

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Alchemy in Middle-Earth: The Significance of J.R.R. Tolkien's The Lord of the Rings Review

Alchemy in Middle-Earth: The Significance of J.R.R. Tolkien's The Lord of the Rings
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Alchemy in Middle-Earth: The Significance of J.R.R. Tolkien's The Lord of the Rings ReviewJ.R.R. Tolkien's magisterial opus, "The Lord Of The Rings" has been examined by many scholars and students, but this book is unique. Mr. Shelton dives deep below the surface of the text attempting to draw out hitherto obscure and veiled connections between this "Most Important Book of The Twentieth Century" the great religious and symbolic traditions of mankind. Much has been made by other reviewers of the "Islamic" character of this book; in fact, the title, "Alchemy In Middle Earth" points to the real essentials of its singular approach. The book attempts to highlight the realities and transcendent truths at the heart of Tolkien's vision. To my understanding, there is no other study of Tolkien that brings the searching light of the perennial philosophical tradition to bear upon the obviously profound hidden depths of "The Lord Of The Rings".... Highly recommended for those with a heart and imagination!Alchemy in Middle-Earth: The Significance of J.R.R. Tolkien's The Lord of the Rings Overview

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Lord of the Rings Review

Lord of the Rings
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Lord of the Rings ReviewYou can purchase this book is some NewZealand stores and save carrying it with your luggage. I saw it at the airport. It was good at orienting you to where different scenes were shot. A head's up: Many places were used for background, while the action was shot in a studio or created on a computer. Also, many scenes in the movie feature scenes shot all over new zealand and since they are together in the movie you assume they are also together in real life. Example: when arwen rides away from the nazgul, the horse scene (shot with a double by the way) is in one area, the river she enters in another area, and the when she turns to face the nazgul, that river is yet somewhere else. I highly recommend the area around queenstown and glenorche.Lord of the Rings Overview

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Lord of the Rings Instrumental Solos Violin Book: With Piano Accompaniment & CD Review

Lord of the Rings Instrumental Solos Violin Book: With Piano Accompaniment and CD
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Lord of the Rings Instrumental Solos Violin Book: With Piano Accompaniment & CD ReviewThis is a wonderful score book for violin with piano accompaniment. Inside there is a removable section with just the violin sheet music and it comes with a cd with a demo and back-up music to play along with. I truly recommend this for anyone who plays violin. I enjoy the Lord of the Rings, but I also feel that the music is beautiful on its own.Lord of the Rings Instrumental Solos Violin Book: With Piano Accompaniment & CD Overview

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Peter Jackson in Perspective: The Power Behind Cinema's The Lord of the Rings. A Look at Hollywood's Take on Tolkien's Epic Tale. Review

Peter Jackson in Perspective: The Power Behind Cinema's The Lord of the Rings. A Look at Hollywood's Take on Tolkien's Epic Tale.
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Peter Jackson in Perspective: The Power Behind Cinema's The Lord of the Rings. A Look at Hollywood's Take on Tolkien's Epic Tale. ReviewThe great thing about The Lord of the Rings is what J. R. R. Tolkien called "applicability," or the ability of his myths to speak to everyone who reads them where he or she is. Too often those of us who love his work, and those who write up big explorations of his themes and symbology act as though we have found THE key to understanding Tolkien. That's trying to cram his myth into allegory, which he would have hated passionately. Tolkien's genius is that his myth sustains many of these explanations simultaneously because it is myth and encompasses much more reality than mere fact or truth could. (See On Fairy Stories for an explanation of this.)
Greg Wright has the ability to explore Tolkien's themes and yet not set his explanations in stone. Then he highlights these themes as they did or did not show up in the film. My enjoyment of Tolkien and insights into his work, and the ways in which it was interpreted in the movies directed by Peter Jackson was expanded in Greg's collection of ongoing musings. Greg also has a great gift for keeping it short, sweet, and clearly logical-which means there is more to continue thinking about after he's got you started. He also has a good feel for how literature, image and culture intersect to bring about our engagement with this story in both book and film. If you want an exploration of Tolkien that comes in small bites and opens up new vistas in Middle-earth for you and sends you off on new mental quests, this book is a winner.Peter Jackson in Perspective: The Power Behind Cinema's The Lord of the Rings. A Look at Hollywood's Take on Tolkien's Epic Tale. Overview

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So You Think You Know the Lord of the Rings? Review

So You Think You Know the Lord of the Rings
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So You Think You Know the Lord of the Rings ReviewExcelent book, with many questions on details that you really don't pay much attention too.
But a lot of fun to quiz your friends and earn points for nerdyness:)
An excellent purchase!So You Think You Know the Lord of the Rings Overview

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A Tolkien Compass: Including J. R. R. Tolkien's Guide to the Names in the Lord of the Rings Review

A Tolkien Compass: Including J. R. R. Tolkien's Guide to the Names in the Lord of the Rings
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A Tolkien Compass: Including J. R. R. Tolkien's Guide to the Names in the Lord of the Rings ReviewPublished in 1975, this is a good collection of essays about Tolkien's fiction given that the essays are ostensibly written by "fans" rather than scholars. A few of the essays are, it must be conceded, naive in style and scope-- like the one which makes the rather obvious claim that the main theme of the Lord of the Rings is that "power corrupts". Quite a few others, however, are quite insightful, particular Charles Huttar's article on "Hell and the City", Robert Plink's analysis of the "Scouring of the Shire" chapter, and Richard West's analysis of the 'interlace' structure of The Lord of the Rings. Also Bonniejean Christiansen's article on the characterological differences between Gollum that were produced by the *major* revisions of the "Riddles in the Dark" chapter of the Hobbit is extremely valuable-- both for what she has to say about Gollum and for the fact that she offers side-by-side quotations from both the first and second editions of that chapter so the reader can see what has changed from one to the other.
Quite surprisingly, these essays aren't nearly as dated as a lot of other Tolkien criticism that came out at the same time or earlier. (The publication of Carpenter's biography of Tolkien in 1977, as well as the posthumous publication of the _Silmarillion_ and then later of Tolkien's letters has rendered a lot of older Tolkien criticism out-of-date or irrelevant). In fact, these essays are just as good and insightful as a lot of Tolkien criticism being written now (in fact, they're better than a lot of it!). The main reason for their continued relevance, I think, is tha they are clearly focused on Tolkien's fictional *texts* as texts that can be analyzed on their own terms. Rather than delving into lots of biographical details, into questions of authorial intention, trying to place The Hobbit and The Lord of the Rings in the context of _The Silmarillion_, or connecting them to Tolkien's alleged goal of creating a 'mythology for England', these articles focus on specific chapters, images, themes, and structures from The Hobbit and the Lord of the Rings, this gives them a kind of 'permanence' that other earlier Tolkien criticism has lacked. (Also, I think the emphasis upon Tolkien's texts themselves leads to more insightful analysis than the biographically-oriented authorial-intention-minded criticism that's still dominant among Tolkien criticism). It's a real shame this has gone out of print...A Tolkien Compass: Including J. R. R. Tolkien's Guide to the Names in the Lord of the Rings Overview

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The Lord of the Rings 1954-2004: Scholarship in Honor of Richard E. Blackwelder Review

The Lord of the Rings 1954-2004: Scholarship in Honor of Richard E. Blackwelder
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The Lord of the Rings 1954-2004: Scholarship in Honor of Richard E. Blackwelder ReviewDick Blackwelder (1909-2001) was an entomologist and zoologist, whose 1978 encounter with Tolkien's writings led to his amassing a huge collection of secondary materials on Tolkien and the compilation of A Tolkien Thesaurus (1990). Since Marquette already owned most of the manuscripts for The Hobbit and The Lord of the Rings, Blackwelder's bequest enhanced the Wisconsin university's already great importance for Tolkienian researchers. (Wayne Hammond's paper in the present collection discusses the importance of original manuscripts for the study of Tolkien's fiction and illumination of his life.)
In celebration of Blackwelder's own work and financial contribution on behalf of Tolkienian scholarship, and to mark the fiftieth anniversary of the publication of The Lord of the Rings, a 2004 conference brought together many of the most prominent scholars in this field. Publication of the resulting 20 papers has been subsidized by the Blackwelder endowment, which no doubt helps to keep down the cost of this attractively produced book.
Readers interested in Tolkien's literary creativity will be interested in several essays. Paul Edmund Thomas shows that we owe Tolkien's publishers much gratitude, because their refusal to accept the Silmarillion materials as a follow-up to The Hobbit compelled Tolkien to conceive and to write The Lord of the Rings (in fits and starts). Thomas and the next essayist, John Rateliff, discuss the importance of the sense of antiquity (something Tolkien found basic in Beowulf) as central for Tolkien's fiction. (One would have appreciated a reference for his statement that Lord Dunsany was "one of Tolkien's favorite fellow fantasists.") Verlyn Flieger zeroes in on Tolkien's desire to provide fictional antiquarian explanations of the origins of his Middle-earth books (the Red Book of Westmarch, etc.), suggesting that the 1934 discovery of the Arthurian Winchester manuscript and its 1947 publication influenced not only this element of Tolkien's fiction but his wishes for a multi-volume format in which his fiction could be published. Christina Scull's paper is an enjoyable distillation of evidence of the History of Middle-earth series and Tolkien's letters, highlighting several remarkable changes from initial to final conceptions in LOTR. David Bratman's paper complements Scull's, examining changes made by Tolkien not only prior to publication of The Lord of the Rings but from the first edition to the second.
Several essays take up the topic of class in Tolkien. John Garth focuses on Frodo's experiences as a transmutation of those of British soldiers in the Great War; Garth notes in passing the typical wartime arrangement wherein officers had commissions for class reasons, while the privates actually possessed more experience relevant to the conditions of trench warfare. Marjorie Burns surveys the persistence of hierarchy (the "high," the noble, the ancient) in Tolkien's fantasy, finding that Tolkien also rewards the meek and finds ways to break down "social division" (as she notes Christianity does). Jane Chance sees feudal contracts as recurrent in LOTR; Gollum's homage to Frodo as Ringbearer, Merry's pledging of himself to Theoden, and Pippin's service to Denethor all show the deference of "third estate" (commons) figures to "first estate" (aristocracy) figures (and each of these commoners is ultimately disobedient, too).
In two further papers, Gary Hunnewell contributes "Naysayers in the Works of Tolkien" and Matthew Fisher finds Tolkien "`working at the crossroads' of Northern courage [as seen in Beowulf] and the theology of Augustine" in LOTR. Much of Fisher's paper, however, is given to the exposition of Augustine and to excerpts on theological topics from Tolkien's letters; perhaps a more extensive treatment of Augustinianism and of the pagan Northern theory of courage will appear eventually.
This essay collection has no papers on the recent LOTR movies. The prominence the films gave to the romance of Aragorn and Arwen may, however, prompt interest in their story as Richard West has sensitively pieced it together from widely dispersed elements in the book.
Several papers deal with Tolkien's scholarly interests. Michael Drout discusses the composition of Tolkien's most famous professional essay, the Beowulf lecture; Tolkien worked on it till it was "not only logically sound but also rhetorically persuasive." The Gothic language may be said to straddle a line between real language and imaginary language because so much of it must be reconstructed, and Arden Smith shows Tolkien at work doing that. Tolkien's interest in the Old English dialect of the West Midlands and his comparison of two manuscripts, showing that they conformed to the same linguistic standards, features in Arne Zettersten's article.
Tom Shippey, whose Road to Middle-earth is my choice for the one essential study of Tolkien's fiction, has been working on a book about the Grimm brothers as philologists. His paper in this collection connects Tolkien's scholarly work with theirs, and includes enjoyable linguistic "unpackings" of two unusual words in LOTR, Sam's "ninnyhammer" and Eowyn's "dwimmerlaik." Few indeed could be those who know as much as Carl Hostetter does about Tolkien's invented languages. One probably could not do better, if seeking to know what Tolkien thought he was doing, and what he was not doing, in his creation of Quenya and Sindarin, or to recognize the limitations of their further development, than to read his essay.
The rapid emergence of fantasy as a publishers' marketing genre, after the paperbacking of LOTR in the mid-1960s, is traced by Douglas Anderson. (LOTR had sold well before then, though.) Anderson unearths a remark from Tolkien, not included in the Letters volume, in which he claimed membership in science fiction and fantasy "fandom." Mike Foster provides good ideas for anyone who will be teaching a college course on Tolkien's fiction.
This collection - which is indexed (something not to be taken for granted!) -- is a must-purchase for college and university libraries, and is also recommended for public and secondary school libraries that have significant Tolkien holdings.The Lord of the Rings 1954-2004: Scholarship in Honor of Richard E. Blackwelder Overview

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Art of the Lord of the Rings Trilogy Review

Art of the Lord of the Rings Trilogy
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Art of the Lord of the Rings Trilogy ReviewDo not get fool as I was, the book that the seller will send to you is simply the Art of Lord of the Rings Trilogy by Gary Russell, the book cover will not be the cool ringwraiths in twilight as you might expect, but simply the well known minas tirith at the bottom right and the morgul lord mounting the fellbeast on the left upper corner of the book cover. This is no newer version of the Art of Lord of the Rings either.Art of the Lord of the Rings Trilogy Overview

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Gollum: How We Made Movie Magic (The Lord of the Rings) Review

Gollum: How We Made Movie Magic (The Lord of the Rings)
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Gollum: How We Made Movie Magic (The Lord of the Rings) ReviewAndy Serkis is the outstanding actor who is barely seen in his most beloved role: Gollum, the tormented Ring junkie. In "Gollum: A Behind the Scenes Guide," he talks frankly and easily about how this complex, difficult character was brought from the book to the screen.
Andy Serkis was unenthusiastic when he heard that they were searching for actors to play Gollum in "Lord of the Rings." But after his now-wife began gushing about what a wonderful character Gollum was, he went in for an audition, armed only with a voice that sounded like his cat throwing up hairballs. Not only did Serkis get the role, he also learned that there was more needed for Gollum than just the voice: He had to suit up in a motion capture suit to provide Gollum's movements as well.
"Gollum: A Behind the Scenes Guide" is more than just a guide about how the first really convincing CGI character was created. Serkis also chronicles bits of his everyday life in New Zealand, the birth of his son, September 11th, the premiere of "Two Towers," and the more widespread reaction to everybody's favorite Ring junkie (Gollum appeared on SNL and "The Simpsons, for example). Not to mention a sweet poem Serkis wrote to his young daughter.
To give further dimension to Serkis's story, there are lots of concept drawings and clay statues of Gollum (warning: avoid certain pages unless you're willing to see Gollum naked). There are also detailed sections written by Peter Jackson, Fran Walsh, the mocap crew, and many others about how they also helped create Gollum. For example, there was a lot of thought given to what kind of nose Gollum should have, or whether he should have a potbelly.
Serkis has a nice, conversational style, with plenty of self-deprecating humor and excellent descriptions ("... suddenly this bald lunatic in pale green spandex comes lolloping into view. It was like a very bad nightmare, like a Dali painting gone wrong"). He's got a nice vocabulary and a great actor's sense, getting into Gollum's bald little head. And despite his claims of "ignorance of great literature," he makes some nice references to Narnia, Shakespeare, Dickens, Hugo, and ancient Norse sagas.
Andy Serkis and the people at WETA created movie history with the flawless Gollum. And Serkis's mini-memoir about how Gollum came to life is not just a good book for "Rings" fans, but for cinephiles and movie students as well. It's our precious.Gollum: How We Made Movie Magic (The Lord of the Rings) Overview

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Tolkien: A Look Behind the Lord of the Rings Review

Tolkien: A Look Behind the Lord of the Rings
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Tolkien: A Look Behind the Lord of the Rings ReviewContrary to the opinion of the reviewer below, who indicates an inability to remember what was read (which says quite a bit all by itself, doesn't it?), this book does its job admirably well. A popularized account of the literature behind the literature which Tolkien left for us, this book takes us through the wide range of mythic and legendary material from various historical periods in Europe & nearby regions which lie at the source of J.R.R. Tolkien's greatest fantasy works (The Hobbit and The Lord of the Rings) and which influenced the great fantasist, himself. Not a book for scholars but apparently too erudite for some readers of Tolkien's works, this book takes us on a quickie survey of the legends and linguistic antecedents which influenced and captured Tolkien's fancy. At the same time it gives us a fairly educated survey of the history of fantasy literature itself. The book is meant to be entertaining for those who love to understand what they are reading -- though it's no fantasy itself, which is perhaps what our disappointed reviewer expected. Or perhaps this person was seeking the inside dope on Tolkien and his times. Whatever. At the least, this is a good source for those who want to understand the history of this type of literature and who want to go farther than just reading the material. It was for me. And it took me farther than I'd expected. Afterwards, you can go on to many of the sources themselves. This book tells you what they were and, often enough, where to find them. --- Stuart W. MirskTolkien: A Look Behind the Lord of the Rings Overview

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The Lord of The Rings: The Return of the King Review

The Lord of The Rings:  The Return of the King
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The Lord of The Rings: The Return of the King ReviewWhat is more important in a book than the characters or the storyline of action and adventure? In Lord of the Rings the Return of the King, Tolkien creates an immense variety of important and interesting characters. These characters form a fascinating story that wouldn't be the same without them. Some of my favorite characters are Gandalf, Aragorn, Legolas, and Gimli. These characters are the heroes, but what would the story be without villains for the heroes to battle? Among the ranks of these villains are the Dark Lord Sauron, his puppets Saruman the wise, the Nazgul, as well as the many Orcs and Uruk- Hai that are their slaves. These characters are of many races. For example Legolas is an elf and Gimli is a Dwarf.
Tolkien creates a mystical story that demands to be read over and over again. This book, which is the third book in the Lord of The Rings trilogy, is quite possibly one of the best books I have ever read. When J.R.R. Tolkien wrote this book in nineteen fifty- six, the thirst of readers for fantasy was extraordinarily great. This trilogy provided a quench of this extraordinary thirst for fantasy. This masterfully written book which is in my opinion the centerpiece of J.R.R. Tolkien's career, is probably his all-time best.The Lord of The Rings: The Return of the King Overview

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Return of the Heroes: The Lord of the Rings, Star Wars, Harry Potter and Social Conflict Review

Return of the Heroes: The Lord of the Rings, Star Wars, Harry Potter and Social Conflict
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Return of the Heroes: The Lord of the Rings, Star Wars, Harry Potter and Social Conflict ReviewAs a fan of Tolkein, Star Wars, and Harry Potter and one who has appreciated a number of analytic treatments of their themes in relation to culture and society, I was expecting something a little different. Perhaps a more accurate title might have been "Defending the Heroes: Debating Critics of Tolkein and Star Wars, with a Little Harry Potter Thrown in."
The larger portion of the book consists of the author cataloging an extensive list of negative criticisms and in turn criticizing the critics for their method and mood. Granted, his arguments make a lot of sense. But there is much less positive treatment of heroic themes and their potential validity and usefulness in modern society, and much repetitive groaning about how mistaken the critics are.
Not only that, the subtitle suggests that three different series will be treated in the book. In fact, Harry Potter is mentioned only briefly, a few times, almost as if his inclusion were meant to capitalize on his current popularity. For the amount of space devoted to Harry Potter themes, he could just as easily (and more accurately) have been excluded from the title. I found this to be misleading.Return of the Heroes: The Lord of the Rings, Star Wars, Harry Potter and Social Conflict Overview

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Celebrating Middle-earth: The Lord of the Rings as a Defense of Western Civilization Review

Celebrating Middle-earth: The Lord of the Rings as a Defense of Western Civilization
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Celebrating Middle-earth: The Lord of the Rings as a Defense of Western Civilization ReviewWhile all six essays in this slender volume will prove of interest to the reader seeking more background on J.R.R. Tolkien's epic story, I found the essay by Janet Blumberg, "The Literary Background of The Lord of the Rings" especially valuable. Prof. Blumberg not only explains the influences of Anglo-Saxon literature such as "Beowulf" and High Medieval literature such as "Sir Gawain and the Green knight" on elements in LOTR, but also offers a credible explanation for one of the most remarked about elements in the books: the absence of any overt religious practice or worship. This essay alone makes this slender volume a valuable addition to the library of any Tolkien fan.Celebrating Middle-earth: The Lord of the Rings as a Defense of Western Civilization Overview

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Harry Potter, Narnia, and The Lord of the Rings: What You Need to Know About Fantasy Books and Movies Review

Harry Potter, Narnia, and The Lord of the Rings: What You Need to Know About Fantasy Books and Movies
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Harry Potter, Narnia, and The Lord of the Rings: What You Need to Know About Fantasy Books and Movies ReviewHarry Potter, Narnia, and the Lord of the Rings by Richard Abanes is a dissection of three of the greatest fantasy phenomena around today. Is fantasy harmful? Can we learn from it? Are there different types? How does fantasy affect us?
These are just a few of the questions Abanes answers in his informative book. As a mildly interested reader and watcher of fantasy, this book surprised me as it disclosed the impact that reading or observing fantasy can have on a person--especially a child or teenager. Yet parents are often very lax in supervising what their children read or watch, resulting in a decline in morals as well as an increasing interest in the occult.
Abanes compares the three above-named fantasies to show what each is preaching or teaching. With the Narnia and Lord of the Rings series, he shows how Christian values and morals can be taught through the fantasy medium.
With Harry Potter, he raises a few questions. Some in the Christian arena have said it teaches Christian morals. Abanes disputes this by asking: Do we have a clear-cut example of good and bad in Harry Potter? How can we call the hero "good" and yet watch Harry lie, cheat, and steal? What about all the occult spells and paraphernalia explored in the books?
In the last chapters, he shows how television and movies are delving more and more into the occult, including horror movies and even prime-time weekly television programs. "Children are big imitators," asserts Abanes. Many of the crimes being perpetrated today--especially by children and teenagers--are copycats of scenes watched in movies or television.
Harry Potter, Narnia, and The Lord of the Rings is enlightening while remaining highly readable. Abanes challenges Christian authors and pastors in a friendly way, but calls us all to be discerning of what we put before our children and grandchildren. ..Harry Potter, Narnia, and The Lord of the Rings: What You Need to Know About Fantasy Books and Movies Overview

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Fantasy and Your Family: Exploring the Lord of the Rings, Harry Potter, and Modern Magick Review

Fantasy and Your Family: Exploring the Lord of the Rings, Harry Potter, and Modern Magick
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Fantasy and Your Family: Exploring the Lord of the Rings, Harry Potter, and Modern Magick ReviewRichard Abanes wasted his time writting this book. Why do I say this? Because he wrote the same book a year before this one came out. The only difference it that he renamed it from "Harry Potter and the Bible" to "Fantasy and your Family." In both books Abanes gives an unfair and biassed crtiticism of Harry Potter. He frequently tells one side of the story and leaves the other half out conviniently.
Also he advances the theory that the books contain sexism and at least two anti-Christian remarks which is not true.
He also uses scare tactics to frighten already concearned Christian parents by saying that kids are saying they want to be involved in the Occult because of Harry Potter. One quote he uses on page 160 by a 13 year old girl who said she wants to do magick, like being a parseltongue or a necromancer. The second thing is not even in the books. This gives me the idea that these kids had an influence other than Harry Potter.
Also he fails to point out that though the occult has had a growth, that a Zenit news article points out that the occult populations in Europe and the U.S. are both under 0.1% of there general populations. The same article also points out that though Potter and Buffy have a large following in Europe that there the occult movements are in decline.
Do I even need to say I cannot recommend this book?Fantasy and Your Family: Exploring the Lord of the Rings, Harry Potter, and Modern Magick Overview

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